Music Production, Mixing & Recording
Some facts about my studio gear:
18 channel 96kHz 24Bit or 26 channel 48kHz 24Bit analog mixing, Klein & Hummel O 96 reference monitors, handmade studio monitors by Klangbau Richter amplified by Alioa, Spendor studio monitors amplified by Bryston, KS Digital Subwoofer, Headphones by Beyerdynamic (DT 770PRO), Sennheiser (HD 25), UE (2-way inear monitor-system). Cubase 9.5, Ableton Live 9.5 (incl. Push 2), Soundtoys 5 Plugins, UAD Plugins, BX Digital Plugins, NI Maschine 2, NI Komplete Kontrol, RME (Fireface 800), Ferrofish (Pulse 16 ADAT), Presonus (Central Station monitor-control), Neumann (summing mixer), Universal Audio (6176), Amek (stereo channel-strip), Drawmer (1961 tube-eq), Trident (Series 80 eq/preamp), vintage Rebis (channelstrip / eq), 2 x SPL (Vitalizer), vintage DBX (119 comp), Mindprint (AN/DI), FMR Audio (RNC 1773), MXR (Dual Limiter), BSS (DPR-402), Lake People (SYM-AMP F82), vintage Vermona graphic eq. Synthesizers by Moog (Sub 37 / Minitaur), Dave Smith (Prophet 08), ARP (Odyssey /Korg), Clavia (Nord Rack 02), Waldorf (Microwave Rev.2 / Streichfett), Oberheim (Matrix 1000), Vermona (Kick Lancet), Doepfer (MS 404), Novation (Bass Station), Korg (Poly 800), Roland (JU – 06). Midicontrollers by Stereo Ping (Matirx 1000 / Micro Wave), Native Instruments (Maschine), Ableton (Push 2), AKAI (APC40 MK2), and NI Komplete Kontrol 49. Microphones by Neumann (M147 tube), Microtech Gefell (UM 70), some vintage small diaphragm cardioid microphones by Sennheiser (MKH 405) and Microtech Gefell (PM 750) and a dynamic microphone by Beyerdynamic (TG-X 80). DJ Equipment – 2 x Technics 1210 Mk2 (Ortofon Concord), ECLER Sclat200 VS, Vestax PDX-2000 (SHURE M44-7). For bigger productions it is possible to get some more stuff by Neumann, Shoeps, Sennheiser and DPA.
18 channel 96kHz 24Bit or 26 channel 48kHz 24Bit analog mixing, Klein & Hummel O 96 reference monitors, handmade studio monitors by Klangbau Richter amplified by Alioa, Spendor studio monitors amplified by Bryston, KS Digital Subwoofer, Headphones by Beyerdynamic (DT 770PRO), Sennheiser (HD 25), UE (2-way inear monitor-system). Cubase 9.5, Ableton Live 9.5 (incl. Push 2), Soundtoys 5 Plugins, UAD Plugins, BX Digital Plugins, NI Maschine 2, NI Komplete Kontrol, RME (Fireface 800), Ferrofish (Pulse 16 ADAT), Presonus (Central Station monitor-control), Neumann (summing mixer), Universal Audio (6176), Amek (stereo channel-strip), Drawmer (1961 tube-eq), Trident (Series 80 eq/preamp), vintage Rebis (channelstrip / eq), 2 x SPL (Vitalizer), vintage DBX (119 comp), Mindprint (AN/DI), FMR Audio (RNC 1773), MXR (Dual Limiter), BSS (DPR-402), Lake People (SYM-AMP F82), vintage Vermona graphic eq. Synthesizers by Moog (Sub 37 / Minitaur), Dave Smith (Prophet 08), ARP (Odyssey /Korg), Clavia (Nord Rack 02), Waldorf (Microwave Rev.2 / Streichfett), Oberheim (Matrix 1000), Vermona (Kick Lancet), Doepfer (MS 404), Novation (Bass Station), Korg (Poly 800), Roland (JU – 06). Midicontrollers by Stereo Ping (Matirx 1000 / Micro Wave), Native Instruments (Maschine), Ableton (Push 2), AKAI (APC40 MK2), and NI Komplete Kontrol 49. Microphones by Neumann (M147 tube), Microtech Gefell (UM 70), some vintage small diaphragm cardioid microphones by Sennheiser (MKH 405) and Microtech Gefell (PM 750) and a dynamic microphone by Beyerdynamic (TG-X 80). DJ Equipment – 2 x Technics 1210 Mk2 (Ortofon Concord), ECLER Sclat200 VS, Vestax PDX-2000 (SHURE M44-7). For bigger productions it is possible to get some more stuff by Neumann, Shoeps, Sennheiser and DPA.
My Studio is a mix between analog and digital equipment. But it’s not just even about the equipment you use, the most of a propper production is just the knowledge. I was teaching audio production at the Bauhaus-University in Weimar for about 6 and for more than 5 years I was working as a recording engineer for differen classic cd productions and I did radioproductions too. For the classical label Rondeau Produktion I recorded for example the St. Thomas Boys Choir Leipzig, the Gewandhaus Orchestra Leipzig or the Knabenchor Hannover. I was producing and mixing different radio dramas for big german public radio stations.
I’m doing mixing jobs for different Artists like Martin Kohlstedt, Matthias Tanzmann, Alex Barck or Mathias Kaden. I also mixed Mathias „Studio 10“ album that got the number one house album of the Groove Magazin in 2009. During the last years I did some productions for different music projects like the album production, mixing and recording for Pentatones – The Devils Hand – Lebensfreude | 2012, the album production, mixing and recording for Christian Rottler & Galakomplex – Augenrändercharme, Mathias Kaden’s Album „Energetic“ on Freude am Tanzen or some remix productions for Mathias too. After I’ve released my Album „In The Backroom“ on Sonar Kollektiv I’m working on some new ideas for my upcomming Album. In 2017 I produced the Martin Kohlstedt Album „Strom“ and I’m on tour with him as live engineer.
I’m doing mixing jobs for different Artists like Martin Kohlstedt, Matthias Tanzmann, Alex Barck or Mathias Kaden. I also mixed Mathias „Studio 10“ album that got the number one house album of the Groove Magazin in 2009. During the last years I did some productions for different music projects like the album production, mixing and recording for Pentatones – The Devils Hand – Lebensfreude | 2012, the album production, mixing and recording for Christian Rottler & Galakomplex – Augenrändercharme, Mathias Kaden’s Album „Energetic“ on Freude am Tanzen or some remix productions for Mathias too. After I’ve released my Album „In The Backroom“ on Sonar Kollektiv I’m working on some new ideas for my upcomming Album. In 2017 I produced the Martin Kohlstedt Album „Strom“ and I’m on tour with him as live engineer.
